| Chronicles | ||||||||||||||||||
| Fifth episode |
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| Église La Visitation de la Bienheureuse-Vierge-Marie In Sault-au-Récollet |
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| City of a thousand bells, Montreal is known for its magnificent and numerous places of worship of various denominations. One of these sacred sites is worth the trip, as a result of its beauty and its history: the Église La Visitation de la Bienheureuse-Vierge-Marie in Sault-au-Récollet. This is the only building used for worship and dating back to the French regime on the island of Montreal. |
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© Fondation du patrimoine religieux du Québec 2003 |
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It is believed that the Rivière des Prairies, located in the northern portion of the Island of Montreal, was named by Samuel de Champlain. During an exploratory expedition, he lost his companion, François des Prairies, in the numerous islands located in the river. A well-known series of rapids on that river, Sault-au-Récollet, owes its name to the Récollet brother Nicolas Viel, who drowned there in 1625. In 1749, during his trip, Swedish naturalist Perh Kalm noted in his book, Voyage de Perh Kalm au Canada en 1749 that “...the Hurons threw the priest into the water...”.
In 1720, the mission was moved once again, this time to Oka. However, the chapel remained on the site. Despite renovations to the building, the work seemed inadequate. In 1747, Monsignor Henri-Marie du Breuil de Pontbriand, Bishop of Quebec City, ordered the construction of a new church since the old one “threatened to fall into ruins soon”. Perh Kalm also said: “The church [...] was initially built by converted Savages [...]; it is made of wood and looks old and decrepit, but the interior can be used as such; the priest serving there intends to build a new one, of stone, next year [...]”. The local people used this out-dated building until 1751.
To replace the Fort Lorette chapel, work was started in 1749 to build the new Sault-au-Récollet church. Completed in 1752, it was built in keeping with the “Récollet plan”. It is a simple building with a single entrance and a bell tower over the front.
Work on the interior decoration started in 1772. Philippe Liébert, painter and sculptor, built the altarpiece and the pulpit. These two works no longer exist, but the tabernacle for the high altar, which Liébert sculpted in 1793, still does.
In 1800, the Quévillon shop made a bench and two tabernacles. They can still be found in the side chapels. Six years later, the same shop sculpted the altar tombs for these tabernacles as well as the high altar.
A vast portion of the church decor (the vault, the cornices, etc.) was completed in 1820. The interior decor has changed little since then. In the Montreal area, it is the best example of church decor at the start of the XIXth century. This is the end of our series of chronicles on Churches with their Proud Bells. We invite you to return on March 20, 2007 for a new theme. Sources: COURNOYER, Jean. La mémoire du Québec de 1534 à nos jours, Montréal, Stanké, 2001, 1861 p. NOPPEN, Luc. Les églises du Québec (1600-1850), Québec, Fides, 1977, p. 140-143. ROUSSEAU, Jacques, Guy Béthune and Pierre Morisset. Voyage de Perh Kalm au Canada en 1749, Montréal, Pierre Tisseyre, 1977, p. 469-470. Back |
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